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on April 23, 2010

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In Praise Of The Water Label, Part 2: FLIPPER! The Water label reissued the crucial 1982 - 1987 Flipper catalogue on compact disc in the year 2009, in tandem w/ vinyl reissues on its sister/brother label, 4 Men With Beards. For myself, this was a big deal for several reasons. Firstly, I had been a huge fan of the band since the year 1986 when I first purchased their "Sex Bomb" 7" from Greville Records (thanks, Steve) - and their essential albums, Album Generic Flipper, Gone Fishin', Public Flipper Ltd. and the singles comp', Sex Bomb Baby, throughout 1987 - their grimy punk sludge being the soundtrack to my 15 year-old brain; secondly, I was then looking after both Water and 4 Men With Beards w/ their distribution needs Down Under; and thirdly, the band was touring Australia that year for the very first time, and I licensed their two recently-released albums, Love and Fight, as a special Oz tour 2CD pack for the local market (more on that later). Flipper's ...

NURSE WITH WOUND Anyone with me here? I was up to my eyeballs in NWW back in the '90s and kept up the pace 'til about 2003 or so, but have slacked off in recent years for no other reason except, well, I guess there's a thousand other musical avenues worth exploring, too, and I had/have the feeling that 20-odd NWW discs was enough to keep me satisfied for at least half a lifetime. Steven Stapleton, aka Nurse With Wound, managed to keep a fairly subterranean profile for nigh on 20 years, or at least until The Wire put him on the front cover of their magazine in 1997, with a story by David Keenan, and next thing you knew the guy was the pin-up boy for esoteric music geeks the world over. The NWW "list" - the list of musical influences Stapleton displayed on the inside sleeve of their debut LP, Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella - is so legendary amongst collector-dork circles you could Google it right now and find at least hal...

Maximum RocknRoll no. 85 / June 1990 I've been sick the past few days, and I remain unwell, but have recently passed the time by re-reading this 33-year-old issue of MRR and dissecting it for you. I literally grabbed a big pile of old MRR issues and pulled one out at random. The one I chose I promised to actually read and then write about. Only an ill man would take on such a task. At this stage, the publication was a monthly behemoth, growing bigger and bigger (both in readership and pages), and perhaps this is just me throwing my own personal context onto it, but it was an interesting time for punk rock, underground music and where things were about to head. One indication of this is the review of Fugazi's debut, Repeater , a token, positive one that acknowledged it as a fine album but also said that the hype around the band was so huge that a positive review in MRR might mean little in the grand scheme of things (didn't it pre-sell something insane like 100,000 copi...

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